The Daily Feed – 01.18.13

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Into The Mind – Sherpas Cinema

Blur the lines between dream state and reality, as you perceive the world through the minds of many. Into the Mind contemplates the experiences passed between mentors and peers to paint a philosophical portrait of human kind. What drives us to overcome challenge? How do we justify risk? What forces are at the core of a mountain addiction? Unique athlete segments over a multitude of mountain sport genres depict the connectivity of Earth, and window into never seen before moments. Explore how we begin our perception of self, construct the foundations of confidence, and are ultimately led up the path of self-actualization.

As Buddha once said, “The mind is everything. What you think you become.”
Into The Mind is about becoming.

Presented by The North Face – COMING FALL 2013

Created by Sherpas Cinema –
Directors: Dave Mossop and Eric Crosland
Producer: Malcolm Sangster
Music: A Tribe Called Red – Electric Powwow (Available for free at )
Original Score by Jacob Yoffee, Sound Design: Cody Petersen

Herb Ritts, In Retrospect

I loved his work from an early age. His black and white work with Cindy Crawford still inspires me today. I wanted to remember him with this post and revisit the photos that inspired me.

About Mr. Ritts:

In the late 1970s, the mostly self-taught, Los Angeles–based photographer Herb Ritts stumbled upon success, after his impromptu images of his longtime friend Richard Gere—taken at a California gas station, on a lark—were widely published and well received.

Herb Ritts began his photographic career in the late 70’s and gained a reputation as a master of art and commercial photography. In addition to producing portraits and editorial fashion for Vogue, Vanity Fair, Interview and Rolling Stone, Ritts also created successful advertising campaigns for Calvin Klein, Chanel, Donna Karan, Gap, Gianfranco Ferré, Gianni Versace, Giorgio Armani, Levi’s, Pirelli, Polo Ralph Lauren, Valentino among others. Since 1988 he directed numerous influential and award winning music videos and commercials. His fine art photography has been the subject of exhibitions worldwide, with works residing in many significant public and private collections.

23-herb-ritts-mark-hanauerIn his life and work, Herb Ritts was drawn to clean lines and strong forms. This graphic simplicity allowed his images to be read and felt instantaneously. They often challenged conventional notions of gender or race. Social history and fantasy were both captured and created by his memorable photographs of noted individuals in film, fashion, music, politics and society.

Ritts died in full mid-career glory, and in the months after his death, his cover shots continued to hit newsstands. We can only guess how aging—and, yes, surviving HIV—would have enriched his vision. “He was a young, robust, energetic, vital, vibrant man who had a lot that he wanted to do. He was excited and thrilled about his future,” says his lover, Erik Hyman. “He wasn’t finished.”

Ritts was committed to HIV/AIDS related causes, and contributed to many charitable organizations, among them amfAR, Elizabeth Taylor AIDS Foundation, Project Angel Food, Focus on AIDS, APLA, Best Buddies and Special Olympics . He was also a charter member on the Board of Directors for The Elton John Aids Foundation.

Herb Ritts passed away on December 26th, 2002 but his work lives on.

View more of his work here.

Sources: Lenora Jane Estes for VanityFair











The Daily Feed – 01.16.13

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The Daily Feed – 01.15.13

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ILFORD XP2 – Featured Film

XP2 SUPER is a sharp, fast, fine grain black and white film. It can be used for any photographic subject, but ensures excellent results when there is a wide subject brightness range. The film yields high contrast negatives and has an extremely wide exposure latitude making it suitable for use in varied lighting conditions. XP2 SUPER is a chromogenic film. This means that the dyes which make up the image are formed during development rather than being present in the film or added later. The extremely wide exposure latitude of XP2 SUPER is the result of the unique relationship between exposure and grain in chromogenic films.

• High speed ISO 400
• B&W Film using colour C41 Process
• High contrast, well defined highlights
• Available in 35mm & 120 Roll Film


ILFORD XP2 SUPER is easy to process. It is a black and white film which is processed in C41 type processing chemicals alongside colour negative films. Which means back in the day you could get it processed at any one hour lab, and have kinda black and white. Another advantage to this film is scan-ability. The tones made scans some of the best I have seen from film. I processed alot of rolls of this film, and thought it would be great to feature it.


XP2 is for sale and can be purchased at B&H here

Group f/64

Group f.64 provided a rallying place for like-minded photographers to gather, state their aims, and exhibit their carefully composed black-and-white images. The group mostly focused on landscapes and close up images from the natural environment, subjects that highlighted the photographer’s creative intuition and ability to create aesthetic order out of nature’s chaos.

On November 15, 1932, at the M. H. de Young Memorial Museum in San Francisco, eleven photographers announced themselves as Group f/64: Ansel Adams, Imogen Cunningham, John Paul Edwards, Preston Holder, Consuelo Kanaga, Alma Lavenson, Sonya Noskowiak, Henry Swift, Willard Van Dyke, Brett Weston, and Edward Weston. The idea for the show had arisen a couple of months before at a party in honor of Weston held at a gallery known as “683” (for its address on Brockhurst Street in San Francisco)—the West Coast equivalent of Alfred Stieglitz’s gallery 291—where they had discussed forming a group devoted to exhibiting and promoting a new direction in photography that broke with the Pictorialism then prevalent in West Coast art photography.

The name referred to the smallest aperture available in large-format view cameras at the time and it signaled the group’s conviction that photographs should celebrate rather than disguise the medium’s unrivaled capacity to present the world “as it is.” As Edward Weston phrased it, “The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.” A corollary of this idea was that the camera was able to see the world more clearly than the human eye, because it didn’t project personal prejudices onto the subject. The group’s effort to present the camera’s “vision” as clearly as possible included advocating the use of aperture f/64 in order to provide the greatest depth of field, thus allowing for the largest percentage of the picture to be in sharp focus; contact printing, a method of making prints by placing photographic paper directly in contact with the negative, instead of using an enlarger to project the negative image onto paper; and glossy papers instead of matte or artist papers, the surfaces of which tended to disperse the contours of objects.

Hostetler, Lisa. “Group f/64”. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art

Group f/64 Manifesto

The name of this Group is derived from a diaphragm number of the photographic lens. It signifies to a large extent the qualities of clearness and definition of the photographic image which is an important element in the work of members of this Group.

The chief object of the Group is to present in frequent shows what it considers the best contemporary photography of the West; in addition to the showing of the work of its members, it will include prints from other photographers who evidence tendencies in their work similar to that of the Group.


Group f/64 is not pretending to cover the entire of photography or to indicate through its selection of members any deprecating opinion of the photographers who are not included in its shows. There are great number of serious workers in photography whose style and technique does not relate to the metier of the Group.


Group f/64 limits its members and invitational names to those workers who are striving to define photography as an art form by simple and direct presentation through purely photographic methods. The Group will show no work at any time that does not conform to its standards of pure photography. Pure photography is defined as possessing no qualities of technique, composition or idea, derivative of any other art form. The production of the “Pictorialist,” on the other hand, indicates a devotion to principles of art which are directly related to painting and the graphic arts.


The members of Group f/64 believe that photography, as an art form, must develop along lines defined by the actualities and limitations of the photographic medium, and must always remain independent of ideological conventions of art and aesthetics that are reminiscent of a period and culture antedating the growth of the medium itself.


The Group will appreciate information regarding any serious work in photography that has escaped its attention, and is favorable towards establishing itself as a Forum of Modern Photography.








group f64



I am really interested in this camera, mostly for travel and street work. I almost pulled the trigger on the X100 a few months back. I glad I waited. What I think I was most happy about was the High Speed Auto Focus and Quick Response as well as increased ISO coverage. So really this update is all about speed.

Auto-switching between phase detection and contrast AF,
New Intelligent Hybrid AF brings your scene into focus in only 0.08 seconds*

Fuji claims cleaner high ISOs by one stop. The X100S will let you set AUTO ISO to grab as high as ISO 6,400, while the X100 could be set to go as high as ISO 3,200 in AUTO ISO. That should be good considering the speed of the f/2 lens.

The Fuji Guys show you all the bells, whistles and features of this camera