Photo Feed – 03.27.13

Wed, Mar 27, 2013

Via: Peta Pixel

Wed, Mar 27, 2013

Via: Peta Pixel

Wed, Mar 27, 2013

Via: Peta Pixel

Wed, Mar 27, 2013

Via: Strobist

Wed, Mar 27, 2013

Via: Peta Pixel

Wed, Mar 27, 2013

Via: aphotoeditor

Wed, Mar 27, 2013

Via: BEHOLD

Wed, Mar 27, 2013

Via: aphotoeditor

Vincent Price

Vincent Price was among the movies’ greatest villains as well as one of the horror genre’s most beloved and enduring stars.

In the small pantheon of actors closely identified with the horror film, Vincent Price holds a prominent position. Heretofore a reliable character actor of the studio era, in the late 1950s Price became a major star in exploitation horror films directed by William Castle and Roger Corman.

I would call this post inspiration for an upcoming personal shoot.
016-vincent_price

015-vincent_price

014-vincent_price

013-vincent_price

012-vincent_price

011-vincent_price

010-vincent_price

009-vincent_price

008-vincent_price

007-vincent_price

006-vincent_price

005-vincent_price

004-vincent_price

003-vincent_price

002-vincent_price

001-vincent_price
Sources:

http://www.vincentprice.org/bios/faces.html

http://en.wikipedia.org/wiki/Vincent_Price

http://movies.nytimes.com/person/57806/Vincent-Price/biography

Mario Testino

“My pictures are my eyes,” Mario Testino once said. “I photograph what I see—and what I want to see.”

Through these eyes, the world is a place of vitality; gazing into them, his subjects are drawn to give up something of the essence of themselves. Over the past two decades, Testino’s view has slowly become a dominant way of seeing fashion. Other photographers have responded by “either aping it or rejecting it,” as his old friend, the Anglo-Irish author Patrick Kinmonth, wrote.

bioAccording to Alexandra Shulman of British Vogue, Testino can make you look better than you could hope—”not in your wildest dreams, but at the remotest end of possibility.” Setting himself apart from the leading photographers of the nineties—who brought us heroin chic and the glazed-eyed, detached stare—he captures moments of exuberance and engagement. As he told The Guardian,“Grunge came from a group of English photographers, and they were documenting their own reality. . . . I’m South American—we celebrate life.”

Testino began his photography career after moving to London in 1976. He made a few unsuccessful attempts at college—studying law, economics, and international relations—before going to work for Vickers for a couple of years. He was inspired not so much by a love of photography but by a love of clothes. However, with his first roll of film, taken of two women sitting on a bench in Green Park, he discovered a belief in his own gift.

The fashion industry, on the other hand, wasn’t as quick to recognize his talents. He spent many days sitting in his flat—in a converted X-ray wing of the abandoned Charing Cross Hospital—desperately dialing magazines from his coin-box telephone. “But when you phone fashion editors or art directors,” he told The Mail on Sunday in 1999, “they always say: ‘Call me back in a month, I’m about to go on a trip. . . . I think I learned humility then.”[11] Humility, though, did not stop Testino from chasing editors through the corridors of Vogue House in Hanover Square while they attempted to hide behind clothing rails. (He managed to forge a friendship with one assistant, Lucinda Chambers, who would later become the publication’s fashion director.

Read the Full Article

Source: Bio – mariotestino.com  + http://www.vogue.com/voguepedia/Mario_Testino

It was really hard not too showcase a few hundred images here, but here are some of my favs.

012-mariotestino

015-mariotestino

013-mariotestino

014-mariotestino

017-mariotestino

018-mariotestino

019-mariotestino

020-mariotestino

005-mariotestino

007-mariotestino

008-mariotestino

009-mariotestino

010-mariotestino

011-mariotestino

006-mariotestino

002-mariotestino

004-mariotestino

001-mariotestino

003-mariotestino

 

Ansel Adams’ former assistant talks about working with the master

Looking at Ansel Adams: The Photographs and the Man

Few photographers have had more impact on America than Ansel Adams, and we are very excited to be able to celebrate his birthday with his former assistant, Andrea Stillman. Andrea’s talk will be an intimate look at the photographer and the man. Said an attendee at one of her museum lectures, “You made Ansel come to life for all of us.”

Here is what Andrea has to say about working with Ansel: “I first met Ansel in 1972 when he came to New York to discuss an exhibition of his photographs at the Metropolitan Museum of Art where I worked. I was immediately impressed by his open friendly demeanor, his sense of humor and his modesty. We worked together for two years on his retrospective, and after it opened in the spring of 1974 he asked me to move to Carmel and become his assistant. I leapt at the chance, and for the next six years I worked for Ansel in his home studio. He always had a photographic assistant to help in the darkroom, so I did everything else. This included managing the sale of hundreds of his photographs – everything from telling Ansel which negative to print to approving the final mounted photograph and writing the title on the back. I also edited his writing and lectures and worked with him on innumerable books of his photographs — selecting the images, assisting with the production, and working on press to assure the best reproductions. I also accompanied him on many trips to open exhibitions and promote new books. One of my last tasks was to organize his extensive archive. It included an enormous correspondence with artists like Alfred Stieglitz, Georgia O’Keeffe, and Edward Weston and hundreds of his photographs made over more than fifty years–ranging from a unique 3 1⁄4×4 1⁄4inch contact print of lodgepole pines in the High Sierra made when he was nineteen years old to an enormous 40 x 60 inch mural size print of Mount McKinley made in the 1960s. In addition I produced a one-hour documentary on his life for public television.”

Andrea G. Stillman’s Site
http://andreastillman.net/

 

Walt Disney – Dream Big

Walt Disney is a legend; a folk hero of the 20th century. His worldwide popularity was based upon the ideals which his name represents: imagination, optimism, creation, and self-made success in the American tradition. Walt Disney’s dream of a clean, and organized amusement park, came true, as Disneyland Park opened in 1955. What a feeling that must have been.

If you can dream it, you can do it.
– Walt Disney

001-walt_disney

002-walt_disney

003-walt_disney

004-walt_disney

005-walt_disney

006-walt_disney

007-walt_disney

008-walt_disney

009-walt_disney

010-walt_disney

011-walt_disney

012-walt_disney

013-walt_disney

014-walt_disney

015-walt_disney

016-walt_disney

017-walt_disney

 

Photo Feed 03.15.13

Fri, Mar 15, 2013

Via: Peta Pixel

Fri, Mar 15, 2013

Via: BEHOLD

Fri, Mar 15, 2013

Via: Peta Pixel

Fri, Mar 15, 2013

Via: The Big Picture

Fri, Mar 15, 2013

Via: Peta Pixel

Black and White Elegance

I really like the simplicity of the photos for this campaign. http://wetsuits24.co.uk/osprey-reef-aqua-neoprene-wetsuit-boots-uk-6-clearance

Black and White Elegance – Cara Delevingne nabs yet anther campaign with the spring 2013 advertisements from South Korean label Beanpole. The British beauty poses for Richard Phibbs in an elegant series of black and white images with styling by Raymond Chae. / Make-up by Sally Branka, Hair by Raphael Salley

 

cara-delevingne-bean-pole2

cara-delevingne-bean-pole3

cara-delevingne-bean-pole4

cara-delevingne-bean-pole5

Source: http://fashiongonerogue.com

Death Do Us Part

Death Do Us Part is the fear of letting go of our past in order to reach for the future. When we take this leap of faith we decide to let go of our fears. We begin free falling with nothing to hold on to. These are the rare instances that we are actually living in the moment. Your support is the driving force behind our project. We could not have done this without you. We have made it this far because you shared and supported us through our social networking sites. We were able to connect with the people in this film because of the internet. Every time you share or like this project it brings us one step closer to photographing your town, people you know, possibly even you.
Become a part of our journey;
ianruhter.com/
Instagram username : ianruhter
twitter.com/#!/silverandlight
facebook.com/pages/Ian-Ruhter-Photography/159583283699
ianruhter.tumblr.com/