http://pacificindustrialmarine.ca/contact-us/ About A Photograph – Acey Harper
This photograph comes from the book Private Acts, photographed by California based photographer, Acey Harper. These stunning photographs by Acey Harper expose the art of the acrobat, where nerve, muscle and fierce concentration conspire to defy mortal limits.
Photo : Morgaine Rosenthal hangs by her mouth from the back of a ’57 Chevy truck.
With thanks to Acey Harper and Triple Scoop Music. triplescoopmusic.com/
Produced by Kurt Rogers and Deanne Fitzmaurice.
Sponsored by thinkTankPhoto.com
Chances are if you walked past a National Geographic photographer on the street, you wouldn’t know it—and that’s how they like it. As photographer and Editor at Large Michael “Nick” Nichols puts it, “I want people to remember the pictures, not my name or what I look like.” But as part of our 125th anniversary special issue this October, we wanted to turn the camera around on Nick and his fellow photographers.
The photographers of National Geographic magazine come from all walks of life. Their insights about the world are built over lifetimes devoted to documenting the lives of others. Their pictures are proof of their passion. But beyond the photographs, so many of these photographers are my heroes. They are our friends, our colleagues, our community. And with these upcoming videos, we want to share with you why.
This video portrait series is a labor of love. It involved sitting down with 44 photographers coming through headquarters this year to talk with me about how they found photography, and why they never left. From my interviewer’s chair, it felt like traveling to endless worlds without ever moving an inch. These were not your typical interviews; they were shoptalk conversations that didn’t seem to start or end in that room. We recently premiered this first installment, comprised of excerpts, at the international photography festival Visa Pour l’Image in Perpignan, France. Consider this a sneak peek of each resulting individual video portrait that is to come.
More here: http://proof.nationalgeographic.com/2013/09/15/the-photographers-on-photography/
This short profile film on Marty Knapp is a personal project. Marty has been photographing the landscapes of Northern California and the surrounding areas near Point Reyes for over 25 years. His work portrays the coastal wilderness area in the classic manner of the great American landscape photographer.
Director: Logan Kelsey
Camera: RED Scarlet-X
Editing: Final Cut Pro X
Film Stock Emulator: FilmConvert
Music composed and scored by: Dexter Britain
Photographer Nicoline Patricia Malina
Video & Edit Leone Stave Agustino
Fashion Editor Michael Pondaag
Hair & Make up Vero & Jensen
Asst photographer Melvin Roberto
Model Zofie Piipoly
Location MANDARIN HOTEL
In the process of preparing the time machine, I had no idea this would become one of the most extraordinary journeys to date. It would propel me into the future where I meet Chase Jarvis, one of the greatest photographers of all time. It would then send me back in time to meet with my old friend, Peter Line, the best snowboarder of this era.
All of a sudden I found myself in the present, making a picture of Ishmael Butler from the Diggable Planets. I had travelled the way you would in a dream, taking me backward into the future. A future where you paint with silver and light.
Become a part of our journey;
Looking at Ansel Adams: The Photographs and the Man
Few photographers have had more impact on America than Ansel Adams, and we are very excited to be able to celebrate his birthday with his former assistant, Andrea Stillman. Andrea’s talk will be an intimate look at the photographer and the man. Said an attendee at one of her museum lectures, “You made Ansel come to life for all of us.”
Here is what Andrea has to say about working with Ansel: “I first met Ansel in 1972 when he came to New York to discuss an exhibition of his photographs at the Metropolitan Museum of Art where I worked. I was immediately impressed by his open friendly demeanor, his sense of humor and his modesty. We worked together for two years on his retrospective, and after it opened in the spring of 1974 he asked me to move to Carmel and become his assistant. I leapt at the chance, and for the next six years I worked for Ansel in his home studio. He always had a photographic assistant to help in the darkroom, so I did everything else. This included managing the sale of hundreds of his photographs – everything from telling Ansel which negative to print to approving the final mounted photograph and writing the title on the back. I also edited his writing and lectures and worked with him on innumerable books of his photographs — selecting the images, assisting with the production, and working on press to assure the best reproductions. I also accompanied him on many trips to open exhibitions and promote new books. One of my last tasks was to organize his extensive archive. It included an enormous correspondence with artists like Alfred Stieglitz, Georgia O’Keeffe, and Edward Weston and hundreds of his photographs made over more than fifty years–ranging from a unique 3 1⁄4×4 1⁄4inch contact print of lodgepole pines in the High Sierra made when he was nineteen years old to an enormous 40 x 60 inch mural size print of Mount McKinley made in the 1960s. In addition I produced a one-hour documentary on his life for public television.”
Andrea G. Stillman’s Site
Death Do Us Part is the fear of letting go of our past in order to reach for the future. When we take this leap of faith we decide to let go of our fears. We begin free falling with nothing to hold on to. These are the rare instances that we are actually living in the moment. Your support is the driving force behind our project. We could not have done this without you. We have made it this far because you shared and supported us through our social networking sites. We were able to connect with the people in this film because of the internet. Every time you share or like this project it brings us one step closer to photographing your town, people you know, possibly even you.
Become a part of our journey;
Instagram username : ianruhter
Last week I was introduced to this camera test by a friend. It shows you, its not about the machine.
We’ve got a lot to prove in Revenge of the Great Camera Shootout 2012. Some of it will surprise you, some of it will shock you, and some of it will change the way you work forever. Let’s make this clear: This is not the shootout you’re expecting.
Will you see the empirical testing where we set the lighting, keep it constant, and run all the cameras through so pixel pushers are happy knowing they’ve made the right purchase? Sure. What’s new and different is that we’re going to show you what you can do with each of these cameras on the same set by letting expert DPs who’ve mastered these cameras get creative with them. They’ve figured out the best profiles, they know how to light for their camera while keeping color timing in mind. This shootout is about two things- what a camera is capable of and what a DP can do with his abilities to make it look great with all of his skills, experience and talent. The key element here is talent. There are no winners as with all of our tests, since winning is dependent on your abilities.
This 90 minute documentary will be presented in three parts that will air on the 15th of June, July, and August. It’s critical you watch all three episodes to fully understand the total message. Each segment will feature three of the nine camera masters describing their approach to the creative shot. The three parts are interwoven and each will feature new guests imparting their knowledge and wisdom for you to learn from. Stop, listen and learn, it’s not all about the cameras! I hope you enjoy this passion project we call Revenge of the Great Camera Shootout.
Revenge of the Great Camera Shootout 2012 – Part One: Starting With Darkness from Zacuto on Vimeo.
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